Issue 260 - August / September 2025 www.signlink.co.uk NEC BIRMINGHAM | HALL 3 SEPTEMBER 23-25 | 2025
Register at: www.thesignshow.co.uk 0117 980 5049 | sales@thesignshow.co.uk register for FREE ENTRY at www.thesignshow.co.uk The UK’s annual dedicated sign expo co-located with Hall 3 |NEC Birmingham 23-25 September 2025 Dedicated to the far-reaching UK sign-making industry, The Sign Show is a new event launching this year. The show will focus on providing the solutions sign companies need to succeed and grow. Co-located with The Print Show, the event will address the core areas of sign-making, offering insight into the processes, materials and technologies across segments such as sign fabrication, sign lighting, vinyl wrapping, CNC production and digital signage. Register at: www.thesignshow.co.uk 0117 980 5049 | sales@thesignshow.co.uk register for FREE ENTRY at www.thesignshow.co.uk The UK’s annual dedicated sign expo co-located with Hall 3 |NEC Birmingham 23-25 September 2025 Dedicated to the far-reaching UK sign-making industry, The Sign Show is a new event launching this year. The show will focus on providing the solutions sign companies need to succeed and grow. Co-located with The Print Show, the event will address the core areas of sign-making, offering insight into the processes, materials and technologies across segments such as sign fabrication, sign lighting, vinyl wrapping, CNC production and digital signage. The UK’s annual dedicated sign expo co-located with Introduction Taking place for the first time this year, The Sign Show 2025 is a brand-new event dedicated to the UK sign-making industry. Running from September 23rd to 25th in Hall 3 of the NEC in Birmingham, the show will welcome visitors from all corners of the market, allowing them to connect with key manufacturers, suppliers, and partners from across the sector. The Sign Show promises to create a destination for visitors to learn and expand ideas, as well as showcase what brands and marketing professionals can access to make their clients stand out in the modern world. From vinyl wrapping and sign fabrication to signwriting, engraving, and traditional neon, the event will appeal to visitors from all areas of the industry, allowing them to explore the very latest innovations in sign-making, meet with peers and gain valuable insight into some of the key growth areas in the wider market.
The UK’s annual dedicated sign expo co-located with HAll 3 | NEC Birmingham 23-25 Sept 2025 The UK’s annual dedicated sign expo co-located with Knowledge Zone For those seeking even more insight into the industry and the key talking points that form the basis of many conversations with peers, consider taking time out of your day to drop in on one of the thought-provoking sessions lined up at the Knowledge Zone. Located within The Print Show area of the hall, the Knowledge Zone will feature a range of expert speakers from across not only the print and sign industries, but also further afield, in an effort to address the most important topics for print companies, sign-makers and related businesses. Areas of discussion this year include sustainability, artificial intelligence, drawing younger people to the industry, automation, and online growth strategies. Those in attendance are encouraged to ask questions and chat to speakers at the end of each session to gain additional guidance from the many experts scheduled to attend. Visitor Areas In addition to allowing visitors to see the newest technologies and solutions up close, The Sign Show will offer those in attendance the opportunity to experience sign-making in motion across several special feature areas. The centrepiece of The Sign Show will be the School of Wrap, a giant area dedicated to both vehicle and architectural wrapping. Hosted in partnership with CVi Group, All Print Supplies, SPACE Architectural Interiors, and FESPA UK, visitors can view expert wrappers at work and attend sessions showcasing wrapping skills. On top of this, attendees can try their hand at wrapping, all with the expert guidance of knowledgeable experts. Elsewhere, Neon Insights will see specialist workers from Neon Creations shine a light on neon, speaking with visitors about the differences between true neon and modern interpretations. In addition, visitors can test out their skills by having a go at neon bending. Finally, David Mearns of Signmode will lead the Traditional Sign-Making Masterclass, where visitors will be treated to live demonstrations of crafts including signwriting, screen printing, and both water and transfer leaf gilding. Attendees can also test out their skills by having a go at signwriting on white emulsion boards. Co-Location ‘Diversification’ has been a stand-out buzzword in the industry for a number of years, and standing still is no longer an option for companies that want to grow. A visit to The Sign Show this September will help open visitors’ eyes to opportunities across a host of exciting markets. The Sign Show will be co-located with The Print Show, the leading, largescale event for the UK print industry. As both events will be taking place alongside each other, this will allow visitors to explore both shows in full, all without having to leave the hall. If you are a sign-maker looking to make the move into wide-format printing, or a diversified business seeking to upgrade your print offering, visiting The Sign Show and The Print Show will allow you to connect with leading suppliers and manufacturers such as HP, Epson, Agfa, swissQprint, and Roland DG.
CONTENTS Issue 260 August / September 2025 ISSN 2976 - 9213 NEWS Industry 07 Business 09 KIT & Consumables 11 Materials 15 Applications 17 THE Sign show 2025 21 We speak to exhibitors, advocates, and organisers of this year’s Sign Show to give you all the information you need before visiting the show SPECIALS The Sign show 2025 preview 37 Under the hood: Agfa jeti Tauro H3300 XUHS 42 adventures in sign painting 45 Supplier SpotLight: fastsigns uk 49 fresh Perspectives: Jude corless 56 Jude Corless, digital content and marketing executive at Hybrid Services, tells us about the difference in opinion she has had one year after joining the print and signage industries using window graphics 60 FEATURES marketing your business 64 Illuminated signage 68 Trade signage 74 cnc routers 80 Lamination equipment 85 IN THIS ISSUE 74 68 37 21 45 43 17 80 5 www.signlink.co.uk Issue 260 - August / September 2025
ISSUE 260August / September 2025 Publishing director Page Tuck Production Ben Mallon Contributors Rob Fletcher, Michael Walker, Sam Roberts, Jude Corless Contact Editorial: 0117 980 5040 Sales: 0117 960 3255 Production: 0117 980 5041 Accounts: 0117 980 5042 Find us online www.signlink.co.uk Socials All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or any information storage or retrieval system without the prior consent of the publisher. The views expressed by contributors to SignLink magazine are not necessarily those of the publisher or editorial team and Link Publishing Ltd. takes no responsibility for any errors that may have occurred. The publisher also accepts no responsibility for the advertising content, including any error, omission or inaccuracy therein. Calls may be recorded for training purposes. Link Publishing Ltd. retains the right to publish and re-publish any images or information sent to the publication. Link Publishing Ltd, Unit G, Link House, Britton Gardens, Kingswood, Bristol BS15 1TF Editor David Osgar david@linkpublishing.co.uk Accounts Jan Thomas jan@linkpublishing.co.uk Sales manager Tim Hall tim@linkpublishing.co.uk Graphic designer Ben Mallon ben@linkpublishing.co.uk Accounts Kathryn Quinn k.quinn@linkpublishing.co.uk Office therapist Skye SignLink SignLinkMagazine printmonthly_signlink Printed on Sappi Magno Satin from EBB Paper CBP00015512002182040 MEET THE TEAM VIDEO COVERAGE Scan the QR code to watch our video coverage over on our SignLink YouTube channel Multimedia journalist Jonathan Pert jonathan@linkpublishing.co.uk Sales executive Lucas Naylor lucas@linkpublishing.co.uk SignLink SignLinkMagazine printmonthly_signlink 6 email: editor@signlink.co.uk Issue 260 - August / September 2025 Hello and welcome to SignLink August/ September! This edition is our biggest of the year (and the biggest issue I’ve ever worked on), which is all thanks to the debut of The Sign Show this September (23rd to 25th) at the NEC in Birmingham. As our preview edition, this SignLink is packed with all the information you’ll need for navigating the show, planning your time, and organising your list of must-see exhibitors. I’m really excited to attend this year’s show, especially as SignLink will be the official media partner of the entire show. When I started with the magazine, the office kitchen was filled with mugs for The Sign Show 2020, which for obvious reasons, didn’t happen. After taking the time to build back up, this year feels perfect to launch this event as it coincides with the continued popularity of wide-format print but also gives a space to celebrate signage like neon, built-up letters, and vehicle wrapping. SignLink will be at the show to cover all the latest news and releases, as well as capture all the talking points and highlights on the show floor via our video platform, in conjunction with our sister publication – Print Monthly. Make sure to come say hello at our stand (P70) where you’ll be able to see more of what we do and the coverage we provide! Outside of The Sign Show there is plenty to dive into in this packed issue including more spotlights on some of the emerging talent we have in the signage and wide-format industries. This issue sees the return of Adventures in Sign Painting with Sam Roberts who has used this edition to shine a light on many of the young signpainters across the country creating beautifully handcrafted signage (page 45). We also have this edition’s Fresh Perspectives article (page 57) which comes from digital content and marketing executive at Hybrid Services, Jude Corless. In her article, Corless highlights how her mindset has changed since delving into the world of wide-format print and how she continues to progress in the industry. On top of all this we also delve into 30 years of FASTSIGNS UK (page 49), seek advice on how to market a signage business (page 64), and speak to many of the trade signage providers in the industry (page 74). Happy reading and see you at The Sign Show 2025! EDITOR S NOTE When the Very Displays girls sneak off to the display showroom to read the latest edition. [L to R] Beatrice Spencer and Kirsty Corcoran. Get featured in our next edition by emailing editor@signlink.co.uk WHERE ARE YOU READING SIGNLINK?
INDUSTRY / NEWS A national campaign to legally protect traditional neon signage has been featured on ITV News. The report details findings that show that the craft is in danger of disappearing in the UK, declaring that there are now less than 30 people employed in neon sign-making in the country. Speaking to political correspondent, Líse McNally, MP Yasmin Qureshi, calls for the government to react to the false advertising of LED products as soon as possible. Qureshi says: "We have rightly challenged fake olive oils and falsely labelled meat; we must apply the same standard in this case. Let us not forget the cultural value of neon. It is signage, but it is also art; it evokes memories of cinemas, diners, music venues, and city skylines.” Graphic Warehouse, a trade supplier of wide-format printing and signage, has officially opened the doors of its newly refurbished 20,000sq ft facility. The opening of the facility in North Lanarkshire, Scotland, was marked with an open day event on June 26th, with a number of local schools and stakeholders invited. The open day welcomed students both from the local town of Coatbridge and nearby Glasgow, offering a tour of the production floor, as well as a range of hands-on design activities. The event was designed to showcase career opportunities beyond the traditional academic path. Graphic Warehouse, formerly Matic Media, described the day as being “a bold statement about the future of UK manufacturing and the vital role young people can play in it.” Richard McCombe, founder and managing director of Graphic Warehouse, who was formerly a primary school teacher, says he has seen firsthand the challenges facing young people who don’t find their place in mainstream education. For the past five years, Graphic Warehouse has implemented what it labels as a “grow your own” talent strategy. The company recruits young people through apprenticeship schemes delivered by providers like Print Scotland, training them from the ground up with the goal of providing long-term opportunities for them. McCombe explains: “Hiring experienced staff from the industry doesn’t always mean they’re the right cultural fit. By training young people ourselves, we’ve created a team that reflects our values, understands our systems, and is deeply invested in our success.” The £1.1m investment consists of a fleet of new equipment including a Liyu Platinum Q3 press ITV News reports on protection of neon signage Award launched to celebrate textile printing graduates A new prize has been created by textile merchant, Premier Digital Textiles (PDT), celebrating emerging talent in digital textile printing. The Vibrancy in Print Award was presented to student Beth Lingard, from Leeds Arts University, for her Dusk Till Dawn collection of textile prints. Commenting on the win, the judges for the award said that her designs showed "a strong dedication to colour and details within digital print". The winner received a £500 cash prize, along with £500 worth of PrepRITE fabric and print time from Premier Digital Textiles, enabling them to bring their designs to life. The prize winner also gets ongoing mentoring support from professionals at Premier Digital Textiles. The award was handed out at the 40th edition of New Designers, an annual exhibition taking place at London’s Business Design Centre, that aims to bring together the best graduate design talent from across the UK. The new Vibrancy in Print Award has been created to celebrate fresh ideas in textile printing Monster-Mesh, a UK supplier of construction site branding, has released data revealing a snapshot of business confidence across the UK’s construction sector. The data analyses how much each UK region spent on construction branding over the past year such as advertising hoarding and scaffold banners, aiming to give an indicator of market sentiment, visibility investment, and pipeline confidence. Analysing internal order data from April 2024 to March 2025, the report ranks UK regions by total and per-capita spend on construction branding. The figures show significant contrasts between different parts of the UK. According to the data, Essex leads the nation per capita, spending £14,484 per 100,000 people, while Worcestershire invested just £364 per 100,000 people. Greater London has the highest overall UK construction branding spend, with over £260,000 in the past year. McLennan says: “When you see a £14k spend per 100,000 people in one region and under £400 in another, it’s not just about signage – it’s about confidence, competitiveness, and visibility.” Monster-Mesh claims that the survey shows a potential “confidence crisis” in certain UK regions By Jonathan Pert By Jonathan Pert By Jonathan Pert Graphic Warehouse calls on businesses to inspire next generation Massive disparity in UK construction branding, according to survey The campaign is calling for neon to be legally defined, in order to protect the craft from an influx of cheap LED alternatives 7 www.signlink.co.uk Issue 260 - August / September 2025
8 email: editor@signlink.co.uk Issue 260 - August / September 2025
9 www.signlink.co.uk Issue 260 - August / September 2025 BUSINESS / NEWS SignLink SignLinkMagazine printmonthly_signlink Hull-based sign-maker and supplier, Brownings, has celebrated its 100th year with a retrospective detailing the history of the company – revealing that it provided a very different offering when it was founded in 1925. The company was established by founder Walter Willoughby Browning as Browning’s Dental Laboratory, primarily crafting dentures. Following a decline in the denture market in the 1950s, the company pivoted to making medical training aids and practical joke products, using a material Browning invented and patented himself called Plastifol. Plastifol was used to make fake wounds, bones, and novelty items, which were reportedly sold worldwide and remained in production until as recently as 2021. The company increased its range of offerings in the ensuing decades. According to Brownings, it holds the accolade of being the first official UK distributor of Perspex since the 1950s – eventually expanding into items including machine guards and leaflet holders. After Browning’s passing in 1968, the business changed hands several times until 1993, when Steve Crowley acquired the company from then owners, Thompson’s Plastics, and began reshaping it into a signage manufacturer. Current managing director, Mike Gentle, joined the company in 2001, and in 2007 the company officially rebranded as Brownings, establishing itself as a trade-only signage specialist. Along with Gentle, production director Dean Harrison, and sales director, Richard Vincent, lead the business along with sales and marketing manager Bradley Robinson, who is helping build the next chapter. Brownings celebrates century in business The company officially rebranded as Brownings in 2007 Paragon expands with purchase of Service Graphics Business services provider, Paragon, has announced the purchase of display graphics and brand activation provider, Service Graphics. The deal was made as a share purchase agreement from family investment company, Grenadier Holdings, which has investments in both Paragon and Service Graphics. The purchase was made in part to boost Paragon’s wide-format display and advertising services, as part of plans to expand its business services portfolio. Speaking of the acquisition, Guilhem Boucon, chief strategy officer at Paragon, says: “This is a fantastic opportunity to expand our capabilities in key verticals like sports and events, while strengthening our position in core markets such as FMCG and retail. By Jonathan Pert Major leadership reshuffle at Victory UPM Raflatac business area renamed The business area and reporting segment of materials manufacturer, UPM Raflatac, has been renamed UPM Adhesive Materials. The name change aims to support the business area's strategic direction to accelerate its growth beyond label materials into graphics solutions and specialty tapes, with UPM Raflatac remaining a product brand in the label materials area. The name change, which has been effective as of June 12th, will be in use from UPM’s Q2 2025 interim report onwards. The newly-named UPM Adhesive Materials has expanded its range of graphics solutions significantly in recent years through the acquisitions of AMC AG, Grafityp, and Metamark. Hampshire Flag Company chosen as Team GB supplier for LA Olympics Hampshire Flag Company (HFC) has renewed its licence as the official flag supplier for Team GB at the Los Angeles 2028 Olympic Games (LA28). Launching in a little over three years’ time, Los Angeles will provide the backdrop to the latest edition of the Olympic Games, with five new sports approved including T20 cricket, lacrosse, and squash. HFC will provide the flags for Team GB for the third consecutive Games, having previously been awarded licensing agreements for Tokyo 2020 and Paris 2024. Victory Design has announced the retirement of managing director Carole Smy, amidst a series of changes to company leadership. Smy, who is due to retire in 2026, will be succeeded by Justin Hines, who currently works as Victory’s sales director. Smy will continue to support the company throughout the coming year on a consultative basis. Two further long-standing members are also due to enter new roles within the company, with Zoe Reddish fulfilling the role of finance director and Neil Basford taking on the role of operations director. HFC was chosen as Team GB’s official supplier following success at Tokyo 2020 and Paris 2024 Guilhem Boucon, chief strategy officer at Paragon From the 1950s, the company made medical training aids and practical joke products By Jonathan Pert By Jonathan Pert The renamed Adhesive Materials unit employs around 3,200 people By Jonathan Pert [L to R] Neil Basford, Zoe Reddish, and Justin Hines
Wide-format print, signage, and display solutions provider, Imageco, has expanded its portfolio of HP printers with the addition of a new HP Latex 830W. The Leeds-based printer has worked with HP Latex technology for several years, having already utilised several HP Latex 800W machines. The new Latex 830W printer was supplied and installed by approved HP partner, Perfect Colours, in June 2025. The new kit purchase was reportedly made to further enhance Imageco’s production capabilities and environmental credentials. The HP Latex 830W has a reported maximum speed of 36sq m/hr in outdoor mode, on media as wide as 1.63m. Other features include the ability to process rolls up to a weight of 55kg, as well as a boosted range of colour options through a white ink channel. As with all HP Latex devices, the printer uses HP Latex waterbased inks, which are designed to have far less impact on the environment than other ink types. Imageco provides a diverse offering to market, supporting clients with output ranging from exhibition graphics and bespoke interior branding to point-of-sale (POS) displays and outdoor campaigns. Nathan Swinson-Bullough, managing director of Imageco, explains that the machine fits in with the company’s long-term targets, both in terms of production capabilities and its sustainability goals. Swinson-Bullough adds: “Investing in the HP Latex 830W strengthens our commitment to sustainable print, offering even greater performance while maintaining the environmental standards our clients expect. “It’s a continuation of a technology partnership that works – both for our production needs and for our environmental goals. We’ve always valued the waterbased, low-emission ink system for its vibrant results, ease of use, and excellent sustainability credentials. Speaking about the diverse applications of Latex solutions, Swinson-Bullough says: “It enables us to deliver high-performance print across a huge range of substrates, while meeting the growing demand for greener solutions in visual communications. “We produce everything from self-adhesive vinyl to poster Imageco installs new HP Latex to boost output paper and backlit film, with the flexibility to handle both large production runs and the smaller, bespoke jobs that make up much of our day-to-day work. HP Latex technology gives us the versatility to deliver high-quality results across this full spectrum.” HP has released a number of new Latex solutions to market in recent months, including the Latex 730 and 830, which were unveiled at this year’s ISA Sign Expo, and the Latex R530, which was first announced at HP’s Amplify event. HP will directly present a range of its wide-format solutions at stand S300 of The Sign Show this year, after previously supporting The Print Show via a number of UK resellers. By Jonathan Pert Wide-format press manufacturer, swissQprint, has officially released an enhancement package for its Kudu wide-format flatbed printer, which it will be rolling out to its existing Kudu customers for free. The upgrade package, which includes software, firmware, and hardware updates, has been developed to enable Kudu users to keep up with additional productivity demands. The new release incorporates optimisations of the carriage movement, as well as hardware improvements to the system which help the machine cope with increased speed. Customers of swissQprint’s Kudu wide-format flatbed printer will get a reported 12% increase in production throughput thanks to the package, which has been released two years after the introduction of the press. The enhancements have come due to refinements developed for the company’s fifth generation of flatbeds, which were first released in January. Simon Averell, UK service manager at swissQprint, with the Kudu Inktec launches new ‘Absolute White’ DTF ink Inkjet ink manufacturer, InkTec, has announced the launch of Absolute White, the latest evolution of its direct-to-film (DTF) ink technology. Absolute White has been engineered to deliver exceptional whiteness, print stability, and environmental responsibility, with InkTec claiming that it “sets a new benchmark in the DTF printing landscape.” Designed for professional-grade printing, Absolute White utilises new dispersion technology and filtration processes with the aim of achieving dense white coverage while using less ink, thereby boosting visual impact and cost-effectiveness. Other key features of Absolute White include enhanced anti-clogging capabilities, with a ‘head-safe’ formulation designed for consistent, long-run performance with less maintenance and greater uptime. Absolute White has been designed to match InkTec’s full DTF CMYK colour series in quality, colour vibrancy, adhesion, and jetting reliability. SignLink SignLinkMagazine printmonthly_signlink 11 www.signlink.co.uk Issue 260 - August / September 2025 KIT & CONSUMABLES / NEWS [L to R] Print manager Sam Pratt and managing director Nathan Swinson-Bullough, both from Imageco, alongside the new Latex 830W By Jonathan Pert SwissQprint releases upgrade package for all Kudu users
SignLink SignLinkMagazine printmonthly_signlink KIT & CONSUMABLES / NEWS Japanese print press manufacturer, Mutoh, has introduced a new dye-sublimation printer to the market – the XpertJet 1682SR DS Pro. The new 64-inch press, which is built on Mutoh’s existing XpertJet platform and manufactured in Japan, integrates two AccuFine HD 3200 nozzle printheads in a staggered setup designed to deliver high drop placement accuracy at production speeds of up to 86sq m/h. The new XpertJet has been tailored for high-repetition, colour-critical production such as sportswear, interior textiles, and promotional items, developed for reliability in industrial environments. The printer supports up to eight colour channels, including dual CMYK, and integrates Mutoh’s i-screen weaving algorithm which minimises banding. The new sublimation printer is also equipped with multi-stage pressure rollers to allow for flexible media handling. The press comes with motorised take-up systems of 40kg or 100kg, offering media handling options which are tuned to the user’s production needs. Alongside its core print capabilities, the 1682SR DS Pro features all of Mutoh’s existing automation tools such as DropMaster2, FeedMaster, Nozzle Area Select, and Media Tracker. The press is designed for use with Mutoh’s newly-released DS4 ProFlex inks, which have been chiefly developed to support consistent, high-quality printing results on a wide range of polyester-materials. The ink, which is a successor of Mutoh’s previous DS3 ink, uses a refined formula with new colour ingredients. It reportedly provides improved grip on transfer paper, reduced sensitivity to temperature variations during printing, and more stable overall colour reproduction, even during long production runs. Alongside the new 1682SR DS Pro press, the DS4 ProFlex inks are compatible with models including the XpertJet 1341WR Pro and 1642WR Pro. The XpertJet 1682SR DS Pro, as well as the DS4 ProFlex ink set, will be available shortly across the EMEA region through Mutoh’s certified distributor network, with those interested encouraged to contact their local supplier. Mutoh releases new dye-sublimation press Start-up business, SP Print Solutions, has invested in a range of new equipment from CMYUK in order to help grow the company and improve its wide-format and finishing output. SP Print Solutions was set up by Steve Partington, who has 25 years of experience in the printing industry. The company offers a range of solutions including wide-format print and display graphics. Partington invested in a Mimaki JFX200-2513 EX flatbed UV LED printer, as well as a JWEI JCUT-2131 digital cutting table. The Mimaki was chosen for its quality, versatility, and reliability, with the machine seen by CMYUK as one of the most popular entry-level flatbeds on the market. Speaking of the company’s future with the kit, Partington says: “It’s early days but I’ve found that the majority of people who have placed an order with me have come back for more. With these two principal pieces of equipment, I’d like to think that I can handle whatever comes through my door.” Start-up business invests in Mimaki and JWEI technology Signage and graphic design company, Universal Graphix, has invested in a JETRIX LXa5 flatbed printer from machine supplier, InkTec Europe. The Essex-based sign and graphics company purchased the press as part of plans to grow its range of premium quality print solutions across a variety of applications. Universal Graphix reportedly chose the JETRIX LXa5 for its precision, durability, and reliability, installing the flatbed to meet increased demand. The 2.5 x 1.3m LED UV press has been developed to deliver high output at an economical price. Utilising 6pl Konica Minolta printheads, the press offers reported print speeds up to 37sq m/hr, a maximum resolution of 1440 x 726dpi, and can print on media up to 100mm in thickness. The LXa5 also provides pneumatic pin registration designed for fast and accurate media placement, as well as an ‘anti-crash’ system designed to protect printheads from damage. Universal Graphix enhances production with JETRIX LXa5 flatbed By Jonathan Pert The press uses Mutoh’s recently released DS4 ProFlex ink set By David Osgar Steve Partington, founder of start-up, SP Print Solutions By Jonathan Pert The JETRIX LXa5 flatbed offers a maximum resolution of 1440 x 726dpi 12 email: editor@signlink.co.uk Issue 260 - August / September 2025
MATERIALS / NEWS SignLink SignLinkMagazine printmonthly_signlink 15 www.signlink.co.uk Issue 260 - August / September 2025 Digidelta, a manufacturer of digital printing, visual communication, and textile materials, has announced the worldwide availability of Decal Dot Matrix, a 100-micron self-adhesive monomeric vinyl for use in short-term indoor applications. Dot Matrix is the latest vinyl product within the Decal range, which was first launched by Digidelta in 2009. It has been designed chiefly for promotional graphics, allowing users of all capabilities to install printed graphics on flat, smooth, and non-porous surfaces. With reported durability of up to six months, the vinyl is suited for use across public and commercial spaces, events, exhibitions, and point-of-sale (POS). The ‘bubble-free’ dot matrixstyle adhesive aims to enable faster and simpler installation and repositioning, eliminating common vinyl issues such as wrinkling and bubbling. According to Digidelta, the adhesive also allows users to reposition the material several times without leaving residue, achieving a professional finish even on mirror-like surfaces. The product also features a double layer of PE liner, which protects the vinyl from humidity, thus reducing issues such as waving and curling during printing, finishing, and installation. Decal Dot Matrix, which is compatible with solvent, latex, and UV printing technologies, was developed in-house by Digidelta, which has more than 40 years of experience in the market. According to Digidelta, this experience allowed them to retain strict control and oversight over production, with the company on hand to ensure that its materials meet a high quality of standards. Decal Dot Matrix vinyl launched to worldwide market The vinyl is designed to eliminate issues such as wrinkling and bubbling Soyang Europe launches new backlit material Soyang Europe has announced the launch of ST-1291 Hera Luxury Backlit. The product, which joins Soyang’s existing SoTex material range, is a warp-knitted polyester backlit textile. The material has been developed to provide an extra-dense structure with minimal light leakage, designed to create vibrant backlit displays for applications including events, exhibitions, and retail applications. Compatible with both dye-sublimation direct-to-fabric (DTF) and transfer applications, the material is reported to have minimal shrinkage and warp at less than 2%. A flat, smooth surface, and a high crease recovery make it easy to handle and fold for transportation. ST-1291 is certified to EN13501-1 standards, with widths available up to 3.2m and standard lengths of 100m offering scalability for a range of project sizes. Show Floor now available Premier launches new magnetic graphics UK materials manufacturer, Premier, has expanded its sign and display portfolio with the release of the eTEC MagnetiX range of magnetic graphic materials. The new range aims to offer printers a practical solution for producing flexible magnetic graphics for applications including retail, exhibitions, hospitality, menu boards, and point-of-sale (POS). The range includes the 900-micron Self-Adhesive Black offering, which provides a high-strength magnetic base layer featuring a permanent adhesive for mounting to walls, panels, or rigid boards. Also included in the range is PP Ferro Matt White, a 260-micron flexible, printable, and ferrous film compatible with eco-solvent, UV, and latex inks. Rounding up the release is Gloss & Matt White, a 850-micron magnetic sheet with a premium white PVC face, suitable for direct-to-substrate (DTS) printing. Drytac releases new fully recyclable substrate Drytac and Premier Paper Group has announced the launch of PaperTac, a fully recyclable, self-adhesive, premium coated paper. PaperTac, which is developed exclusively for the wide-format sign and display market and available exclusively through Premier in the UK and Ireland, is designed to give printers a practical, high-performing solution to help customers reduce signage waste and meet sustainability targets. The paper, which was commissioned by Premier’s Sign & Display team, was developed in response to growing demand from customers and end-users for more recyclable print solutions. The product features a 140gsm white matt coated paper with a clear permanent adhesive, and is compatible with aqueous, latex, and UV print technologies. Soyang Europe has announced its latest offering, Show Floor, which has been designed specifically for UV printing. The product has been engineered to withstand high foot traffic while also maintaining a strong and durable appearance. The product has gained the BS EN 13501 Class – S1 rating for fire safety and the BS EN 16165 low slip potential rating for both wet and dry conditions. Along with its recyclability, Soyang Europe says the product ticks a number of boxes that many modern clients need checking. PaperTac allows those without flatbed equipment to create mounted displays Hera Luxury Backlit is compatible with both dye-sub DTF and transfer applications The product is recyclable and can be used in both temporary and permanent installations By Jonathan Pert By Jonathan Pert By David Osgar By Jonathan Pert
APPLICATIONS / NEWS 17 www.signlink.co.uk Issue 260 - August / September 2025 A large-scale scaffolding wrap in central London has been unveiled, following a month-long design and construction process. Surrey-based sign and design specialist, Lavastar, was appointed by contractors, Erith Group and Faithdean, to deliver a full scaffolding encapsulation for the transformation of The Lazari Building in Mayfair. The building, which was formerly home to the Fenwick luxury fashion store, is situated in the heart of central London. The new development of the building will offer 36,000sq ft of luxury retail space for shoppers visiting the capital. The project included 2,400sq m of high-level building wrap designed by artist, Hugo Dalton, and featured six advertising panels designed to provide updates throughout the construction phases. The installation also included installing 190 linear metres of custom-printed hoarding designed to reflect the premium nature of the development, as well as 3D fabricated lettering and bespoke lighting features. According to Lavastar, over eight months of planning went into coordinating the construction programmes to meet a non-negotiable launch deadline, with stakeholders across construction, design, and marketing all moving in tandem. The project will continue to evolve alongside the construction schedule, with final completion targeted for late 2026. Ed Kelsing, director at Lavastar, says: “This has been one of Lavastar’s biggest tests in our ten-year history. “From precision engineering to seamless artwork alignment across multiple frames, there was zero margin for error – and our team absolutely delivered. We’re thrilled to be part of such a prestigious development. It’s our second ultra high-profile Mayfair site in the past year, following our work on the branded hoardings at the much-talked-about 1 Mayfair residences.” Lavastar won Gold at the UK Graphic Awards 2024 for its work on the ‘Planet Wakehurst’ project, which transformed the scaffolding around Wakehurst's Elizabeth Mansion into a large-scale art installation while it underwent roof restoration. Speaking about the award win, Kelsing said: “Our team has worked tirelessly over the past decade to become the go-to name in the UK for building wraps, printed hoardings, and development signage – and we’re proud to see that hard work gaining real traction.” Mayfair property transformed with full building wrap Moss UK, a specialist in branded environments, has completed one of its most technically demanding projects to date, with the installation of a replica ceiling fresco in the Great Hall at Blenheim Palace. The replica was installed to cover conservation work of the iconic original ceiling fresco inside the palace. First painted in 1716, The Great Hall ceiling painting by Sir James Thornhill shows the first Duke of Marlborough kneeling to Britannia following his victory at the Battle of Blenheim. A centrepiece of one of Britain’s most iconic stately homes, the historic painting had already suffered from hairline cracks due to structural movement, with recent rainwater damage and mould necessitating its urgent restoration. To ensure visitors continued to enjoy the artwork while the conservation takes place, Moss was commissioned by Blenheim Palace to print and install a detailed replica of the fresco, to hang underneath a suspended internal scaffold. Moss creates full-scale replica of fresco at Blenheim Palace The BBC recently promoted Race across the World by turning influencer Morgan James into a "walking billboard" in a creative out-of-home (OOH) marketing stunt. BBC Creative, the marketing and branding arm of the BBC, enlisted James to carry a 48-sheet billboard on his back while hiking across East Sussex. The billboard features the slogan "goodbye comfort zone", on top of an image of the Great Wall of China. A social media video, which was shared on both the BBC’s and James’ social media channels, shows the influencer’s various struggles carrying the billboard. This includes walking up a steep hill, trying to navigate through narrow gates, and passing by other bemused hikers. James finishes the video by saying: “That was possibly the hardest thing I ever had to do.” BBC creates "walking billboard" to promote Race Across the World By Jonathan Pert The project included 2,400sq m of building wrap designed by artist, Hugo Dalton The artwork was printed on flame-retardant PVC mesh using Moss’s Durst 512R press By Jonathan Pert A video of the stunt shows the influencer’s various struggles carrying the billboard across the countryside
EVENTS - / NEWS Wide-format press manufacturer, Roland DG has revealed it will be exhibiting at The Sign Show this September. Roland has had a presence at the co-located The Print Show through reseller and distributor partners for several years – but this will mark the first time it will take its own stand. The company will use its stand to run live demonstrations of one of the latest additions to its diverse portfolio of wide-format print solutions – the Dimense DA-640. A tactile wide-format printer, the DA-640 is capable of producing embossed prints with up to 2mm of 3D effects, opening all manner of opportunities to companies across both the print and sign-making markets. Stand-out features on the new machine include the ability to produce print in qualities of up to 1200dpi on materials as wide as 1,615mm. The new printer can also run substrates up to 1.0mm thick and offers printing in four-colour CMYK. “The output is suitable for a wide variety of interior signage applications, and is the future of creative wallcovering print production,” says Rob Goleniowski, head of sales in the UK and Ireland for Roland DG UK. Going into further detail on the new machine, the manufacturer comments: “Whether you're printing short runs or extended jobs, the DA-640 is designed to deliver consistent, high-quality output from start to finish. “Its dual tension bars and torque-controlled take-up unit keep media stable during long prints. Plus, an optimised cleaning sequence helps maintain nozzle performance, reducing downtime and ensuring smooth production, every time.” There are also environmental benefits of working with the DA-640. The machine runs water-based inks, which have less impact on the planet than other ink types. Meanwhile, its 500cc cardboard cartridges cut plastic use by around 82% compared to previous versions, while the simplified ink system reduces maintenance and boosts reliability. In addition, the manufacturer says DIMENSE media is equally eco-conscious, made from a PVC-free base that is odourless, migration-free, and will not leach into surrounding surfaces or the air. Perfect Place to Meet Roland DG will be exhibiting at the debut edition of The Sign Show but the manufacturer does have links to the co-located The Print Show. While Roland DG has never had its own stand at The Print Show, it has been represented over the years by a number of distribution partners. “Getting to spend face to face time with customers is super important and what better place to do that than The Print Show and The Sign Show, this September” Goleniowski explains, continuing: “Customers can read and research about products online, but there is still no substitute to seeing things in the flesh and discussing opportunities and requirements in person with the specialists. “Getting our team in front of the customers is why we are excited about exhibiting. Trade shows are a great way of not only seeing what innovations are new to the market, but also they are a great opportunity to talk and network. Equally people frequently discover something that they were not aware of and might be just what they are looking for.” Roland DG to showcase new wide-format innovation The Dimense DA-640 will take centre stage on the Roland DG stand at The Sign Show By Rob Fletcher 21 www.signlink.co.uk Issue 260 - August / September 2025 [L to R] Rob Goleniowski from Roland and Chris Davies from The Print Show
EVENTS - / NEWS SignLink SignLinkMagazine printmonthly_signlink SwissQprint has announced that it will once again display its Kudu high-end flatbed machine at The Print Show this year. Boasting a top printing speed of 341sq m/hr and a 3.2m x 2m flatbed size, the Kudu drew plenty of interest during the 2024 event. Such was this success that swissQprint will bring back the device this year and will be inviting visitors to experience its capabilities first-hand. Additional benefits of the swissQprint Kudu printer include ten colour channels, which the manufacturer says offer “endless possibilities” to users, while the device is also supplied with a 36-month warranty for peace of mind. “Designed for both speed and precision, the Kudu is capable of handling everything from tension textiles and braille signage to fine art, packaging, and retail displays,” explains Erskine Stewart, managing director of swissQprint UK, adding: “While the Kudu will take centre stage, everything shown on our stand could be produced using any model in our Generation 5 range, underlining the flexibility and productivity that all swissQprint flatbed printers now offer. Stewart adds: “We support businesses around the world by providing local expertise and service through our network of international subsidiaries including the UK, ensuring fast support, training, and tailored advice close to our customers.” As to why the manufacturer is once again using The Print Show as a platform to connect with the UK market, Stewart says swissQprint is keen to build on the momentum it experienced at last year’s show, “The event is a fantastic opportunity to engage directly with the UK print industry, showcase the capabilities of our systems, and demonstrate how swissQprint technology can help businesses stand out with quality, speed, and versatility in wide-format printing,” Stewart explains. “The Print Show is a great place to explore the latest in print technology, meet industry experts, and discover solutions that can genuinely impact businesses. For anyone looking to enhance their production capabilities or understand where the future of print is heading, it’s a must-attend event.” SwissQprint set for Kudu showcase [L to R] Regional sales managers Ian Maxfield and Steve Pridham with managing director Erskine Stewart By Rob Fletcher Venture Banners will exhibit across both The Print Show and The Sign Show this September in an effort to capture interest in its latest solutions. Recent additions to the company’s portfolio include a new range of circular and horizontal pop-up banners printed on flag polyester that can be deployed in seconds, as well as its 3m x 4m arched polyester flag, which will be showcased at the show. Visitors can also learn more about Venture’s SEG fabric free-standing lightbox range, which we will be used for the main structure of its stand. “The Print Show, and now also The Sign Show, enables the industry to come together to share best practice, learn from each other and, of course, explore what the future of our industry looks like,” says Scott Conway, director at Venture Banners. “As an internet-based business, exhibiting at this event gives a great opportunity to actually meet our customers and speak to them face to face.” Explore ideas with Venture Banners EFKA Frame Solutions will use its stand at The Sign Show 2025 to demonstrate how its new weatherproof outdoor frame range can help sign companies access work across a host of markets. Engineered for long-lasting, allweather performance, the range offers illuminated and non-illuminated profiles. The non-illuminated frame has a 27mm depth, offering a streamlined solution, while the illuminated version features a depth of 60mm and delivers excellent visibility day and night. Visitors to The Sign Show will be among the first industry professionals to see the products up close with Derian Reekers, marketeer at EFKA, saying this offers them a significant advantage. “We will present the versatility of our fabric frames, LED lightboxes, and custom applications, showing how our solutions can be tailored to meet the unique needs of different industries. “Finally, our team will demonstrate our webshop, including a configurator with a step-by-step guide, making it easier for customers to calculate and order their fabric frames efficiently.” EFKA talks new outdoor opportunities EFKA will display a range of products on Stand S315 [L to R] Wayne Bodimeade and Scott Conway, directors of Venture Banners By Rob Fletcher 22 email: editor@signlink.co.uk Issue 260 - August / September 2025
EVENTS - / NEWS Fujifilm will exhibit at The Print Show for the third consecutive year this September and will use the event to showcase two new innovations to the UK market. The manufacturer made its debut at the show in 2023, using its stand to display several new solutions. Following this initial success, the brand returned last year, demonstrating its Print-onDemand (POD) toner presses, the Acuity Prime wide-format inkjet printer, and its range of Apeos office printers. For 2025, Fujifilm will be following a similar strategy, using The Print Show as a platform to showcase it latest innovations to what is set to be a hugely diverse audience, helped by the addition of the new, co-located The Sign Show. “The Print Show is a great opportunity to get a feel for the character, culture, and of course the core technology of key suppliers to the market,” explains Andy Kent, who is the general manager for Fujifilm UK. He adds: “I hope that it will give confidence to the wider market by showing that suppliers like Fujifilm are still investing in the future of print and bringing innovative and sustainable solutions to the market. “Honestly, we can’t wait for the show this year. We are really looking forward to it and would urge all printing companies to attend and see what we are doing.” Groundbreaking Technologies Offering an insight into what visitors can expect from Fujifilm on Stand P400 at the front of Hall 3 at the NEC, Kent picks out several machines that will make an appearance during the show. These include the Acuity Triton AQUAFUZE, another new release from Fujifilm. The new roll-fed machine uses the manufacturer’s AQUAFUZE water-based, UV ink technology, and can print at 15sq m/hr in high-speed mode. For high-quality print work, the machine can still run as fast as 6sq m/hr. “In a saturated market, it was high time a revolutionary technology broke into this space to offer wide-format print companies a real differentiator in productivity and all-round performance, and this with sustainability in mind,” Fujifilm said upon the launch of the printer. “We believe this breakthrough technology is just the step forward the print industry needs.” Other highlights on Stand P400 will be the Acuity Prime flatbed UV printer, which Fujifilm bills as a “new blueprint for flatbed ROI”. Boasting a top printing speed of 150sq m/hr, the machine can run rigid media up to 2.5m x 1.25m and as thick as 51mm. Using Ricoh Gen 5 greyscale, variable drop printheads, it can produce work at a maximum resolution of 726 x 1200dpi. “A true flatbed with a unique, exceptional design and high value, the Acuity Prime offers high quality printing on a range of rigid and flexible media, supported by its five dedicated vacuum zones and jettable primer,” Fujifilm says, adding: “This range is available at a cost-effective price point and offers an excellent return on investment.” For those seeking smaller-format options, Fujifilm will show the new 5upercolour print models, which include the Revoria Press SC285 and SC285S. Both new machines incorporate a range of advanced technologies for what Fujifilm describes as “groundbreaking” performance, quality and application versatility. In addition, the Revoria SC285S offers a fifth colour to print wider colour gamuts and speciality effects, which the manufacturer says will help users help stand out in an increasingly demanding market. “The Revoria SC285 and SC285S bring next generation performance and the benefits of five-colour printing to help you differentiate your business,” Fujifilm says. Fujifilm Set for Surprises With such a diverse showcase planned on one of the largest stands at the show, Fujifilm is set for a busy three days this coming September. However, with Kent pledging one or two other “surprises” at the show, he is looking forward to connecting with visitors from a range of markets. “We have had very successful shows over the past two years, and I believe that a local UK show is really important for the industry and should be supported by the industry,” Kent says. “The addition of The Sign Show is also great for us as we have new technology to show in both sectors.” Fujifilm to demonstrate new 5upercolour and Acuity Triton Fujifilm will be exhibiting at The Print Show for the third time this year The new Acuity Triton uses Fujifilm’s water-based, UV ink technology By Rob Fletcher 23 www.signlink.co.uk Issue 260 - August / September 2025
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