colour options are standard CMYK or in six-colour configurations, light cyan and light magenta can be added for improved rendering of subtle graduations as found in skin tones. Clutton says that a seven-colour version could be built, allowing light black to complement the other light inks. There is also an option for white ink, so there’s considerable flexibility to play with when configuring the printer. Curing is via LED, as is pretty much standard for UV these days. On the software/RIP side, either Caldera or Print Factory can be supplied, bringing with them their respective workflow, production, and colour management capabilities. Clutton says that when printing on two rolls, each can operate entirely independently of the other, allowing maximum flexibility in loading, printing, and collecting work from each. With a weight of around five tonnes, he says vibration from the differing movements of the printhead carriages, whatever their respective positions and direction, isn’t an issue. Registering No Concern A key factor in double-sided printing is frontto-back registration. While the dual-sided printing mode should inherently avoid any of the material stretch or contraction issues that may arise with single-sided printroll-reverse working, the Hapond machine goes further. Mr Clutton explains: “It’s very accurate, as it prints a small calibration at the start of a run and continuously along the sides, so you can adjust not only for position left-to-right and front-to-back but also [for] any media stretch. For instance, if it pulls a little more in the middle you can adjust at five points along the length.” The biggest benefit is of course the labour saving in double-sided printing, which becomes more important for users who don’t need to do much of it, or who are keen to expand their portfolio of services but without significantly impacting their regular single-sided print operations in order to add it. As already pointed out, it doesn’t make possible anything that you can’t do with a single sided printer, but it could make a lot of mixed work a great deal more practical. So, what are the types of double-sided work that might entice you to think about investing in one these printers? Simple light box signage is one, where normal single-sided printing for backlit use would put all the ink on one side, producing a result that could look dull in daylight or other external light, and possibly causing problems with the media ‘bruising’, depending on the total ink coverage needed. By printing a normal ink level for reflective daytime illumination on one side and the additional colour needed for backlit density on the other, you can have a result that doesn’t need constant backlighting, saving energy, but which looks good in both ambient and backlit modes. It also avoids the need in day and night printing where a white layer is required between the day and night ink layers, simplifying production and saving ink. Clutton says: “The printer also produces colours to rival any sublimation or textile printed backlit without needing masses of heat and a separate calender etc. So again, [it’s] an environmentally and cost-effective solution.” Another application that requires double-sided printing is partition curtains, which can be imaged separately on each side using suitably opaque material, though potentially needing white ink. CPS is the exclusive UK reseller for the Hapond printer and is responsible for UK service and support. While it’s early days in terms of local market uptake, Clutton reports that visitors to The Print Show who saw the printer were “blown away” by the colour and quality. He notes that with prices for 3.2m single-roll printers starting from upwards of £60,000, he feels that the Hapond’s offering of what is effectively two 3.2m printers with “real world” production speeds of 50m2/hr – and faster on banner material – for around £135,000 is “pretty good value”. With prospective customer demonstrations scheduled to begin in early 2026, it won’t be long before we see if UK printers are up for a bit of Chinese innovation. Print Heads: Up to 36 in six-colour version, 24 in four-colour version Ink Type: UV curable ink Ink Colours: CMYK with optional white, and light cyan and light magenta Print Speed: Up to 150m2/hour Max Print Width 3,200mm Statistics 19 www.signlink.co.uk Issue 263 - February | March 2026 ▲The device uses Konica Minolta printheads UNDER THE HOOD | HAPOND UP-3321D ▼Customers can choose between a four or six colour configuration setup when purchasing
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